Indeed, surprised and pleased were exactly what I felt from my first taste of this relatively obscure bottle from Selvapiana.
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Selvapiana is a fine Chianti estate, probably the finest not in the Classico zone. It lies within the Rufina zone, northeast of Florence, and that area is totally different, climatically and geographically, from the Classico. It is hillier, and its hills are steeper and rougher than the long-domesticated ones that lie between Florence and Siena, the historical Chianti Classico zone.
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The Rufina zone is more heavily forested, and its forests are pines, not the decorous cypresses of Tuscan postcards. What grow beneath those pines are mountain laurels, clearly indicating a more acidic soil and a very different climate from that of the Classico zone. Needless to say, the wines that Sangiovese produces here are also different from the Classicos: they are bigger, fuller, with darker-toned fruit. Some call them rustic, but the best of them show no rusticity. Rather, they are graceful country folk, with all the strength and natural elegance that implies.
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For obvious reasons, I’ve always admired Selvapiana’s Chiantis. The estate’s decades-long relationship with consulting enologist Franco Bernabei, one of the acknowledged masters of Tuscan wine, has always coaxed the best from its Sangiovese. The wine Selvapiana calls Fornace (from the vineyard where it originates) has always been for me another matter, however.
Fornace is Selvapiana’s Supertuscan, a blend of non-Italian grape varieties that was originally concocted back when Supertuscan was a hot category and every serious wine estate had to make one to show that it was au courant. I acquired my bottle long ago, when I was preparing an article about Selvapiana and the Rufina zone for some magazine or other. I’ve never really approved of the Supertuscans – I hated the name – so for the article I focused on the zone’s Italian varieties, put my bottle of Fornace away, and completely forgot about it. Until, just recently, Diane was making a recipe that originated at Selvapiana, and I wanted to serve a Selvapiana wine with it. Imagine my distress when I discovered I had none of the wonderful Chiantis on hand, and just this dusty bottle of a wine I distrusted. Arrgh!
Well, no choice: I wanted a Selvapiana wine and this was what I had, so off went its dust and out came its cork. Two hours of breathing, and then into the glass alongside Diane’s delightful pasta dish. As I said before, color me surprised and pleased: It was a wonderful wine. Vinified entirely from French varieties – 40% Cabernet sauvignon, 40% Merlot, and 20% Petit verdot, I believe – though I could swear I tasted a little Syrah pepper in it. No matter. At 18 years old it was a complete wine, big, round, harmonious, and deep. It didn’t taste typically Tuscan, but it didn’t taste Bordelaise either: It was a third thing, entirely its own category, and completely enjoyable. It has given me something to think about, in terms of my distaste for French varieties in Italy – and it has certainly deepened my already immense respect for Selvapiana.
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This was fabulous—the best, clearest and most succinct, description of the differences in terroir and taste profile between Rufina and Classico!
Thanks, Michael. I know how familiar you are with the subject, so this is a real compliment.
Not even your full-proof wisdom will reconcile me with the idea of Super-Tuscans: that, amongst many, was one of the worst injuries that Robert Parker inflicted in the wine-world. And the world is still recovering from those blows.
I fully understand your feelings about Supertuscans, Mauricio.